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20 Most Iconic R&B/Soul Music Singles of 1982

By Waddie G. April 30, 2025 11 Min Read
20 Most Iconic R&BSoul Music Singles of 1982
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1982 was one of those years. A year where every block had its own soundtrack, every cookout had folks two-steppin’, and every radio station was a battleground for classics. Soul music was shapeshifting. Funk still had juice, disco was fading but not dead, and electronic sounds started sneaking into the mix. And then there was the rise of boogie—music that made your shoulders move before your brain even caught up. R&B and soul in ’82? That was prime time, no debate.

Back then, we weren’t just listening to music. We were living it. You heard a bassline and instantly knew where you were when it dropped. Whether it was on a dusty Kansas street, an Oakland roller rink, or a humid South Side Chicago block party, these songs marked memories—first loves, heartbreaks, graduations, barbecues, and those long-ass car rides with your cousin who never turned the radio down.

What made 1982 so special wasn’t just the talent (though the talent was insane). It was the creativity. The grooves were bold, the voices were rich, and the lyrics? Full of vulnerability, attitude, and soul. So, before we get into the Top 20, we gotta tip our hats to a few joints that almost made the list but still held it down:

Honorable Mentions:

  • “Ebony & Ivory” by Paul McCartney & Stevie Wonder
  • “Street Corner” by Ashford & Simpson
  • “I Heard It Through The Grapevyne” by Zapp
  • “Making Love” by Roberta Flack

Now, let’s get into it. These are the 20 Most Iconic R&B/Soul Music Singles of 1982—tracks that defined a moment, moved a culture, and still go off in the right room.


20. “The Other Woman” – Ray Parker Jr.
Before he became Mr. Ghostbusters, Ray Parker Jr. was crafting slick, grown-man R&B. “The Other Woman” was scandalous, catchy, and oh-so-smooth. The guitar licks alone had brothers nodding and sisters side-eyeing. It told a messy story, but it sounded so damn clean.

19. “Controversy” – Prince
This one right here? A sonic rebellion. Prince mixed funk, politics, sex, and faith in a stew that only he could stir. “Controversy” wasn’t just a song—it was a mission statement. It let the world know that Prince wasn’t following any rules but his own.

18. “If You Think You’re Lonely Now” – Bobby Womack
A grown folks’ anthem. Bobby’s raspy, pleading voice cut straight to the bone. This was the song you played after the argument, when nobody was answering their phone. It was pain, pride, and poetry in one.

17. “So Fine” – Howard Johnson
This track flew under some radars, but not mine. “So Fine” brought that early boogie/funk flavor with synths that sounded like the future and vocals that felt like a flirtatious Friday night. Still a sleeper jam for those who know.

16. “Circles” – Atlantic Starr
Smooth as satin sheets and just as intimate. “Circles” was R&B doing what R&B does best—talking about the ups and downs of love, and making it sound like a gentle ride, even when it wasn’t.

15. “Turn Your Love Around” – George Benson
Jazz-cat turned R&B crooner, George Benson gave us a bop with crossover appeal. That funky guitar riff and catchy chorus made this one a cookout favorite—and it still rides hard in a playlist.

14. “Call Me” – Skyy
Brooklyn represented heavy with Skyy. “Call Me” was sexy, simple, and street-smart. It felt like a late-night call on a corded phone, with the blinds half-closed and your heart wide open.

13. “That Girl” – Stevie Wonder
Stevie was always in his own lane. “That Girl” had that trademark harmonica, layered synths, and his voice delivering heartbreak with precision. This was late-night radio gold.

12. “Dance Floor” – Zapp
Roger Troutman brought the talkbox into the mainstream like nobody else. “Dance Floor” was funk wrapped in chrome—built for roller rinks, lowriders, and high-top fades. This was Black future music.

11. “It’s Gonna Take A Miracle” – Deniece Williams
Deniece’s vocals floated. She made heartbreak sound like a lullaby. This song was church, soul, and doo-wop magic, all updated for the ’80s. Just beautiful.

10. “Jump To It” – Aretha Franklin
The Queen didn’t just sit on her throne in ’82—she danced on it. With Luther Vandross behind the production, “Jump To It” was energetic, fun, and a little flirtatious. A comeback hit with style.

9. “Genius Of Love” – Tom Tom Club
Now this one? Not technically an R&B group, but the streets adopted it like family. That funky, bouncy groove was sampled everywhere for a reason. “Genius Of Love” was weird, wild, and unforgettable.

8. “Get Down On It” – Kool & The Gang
This was the party starter. The horns, the chant, the groove—it dared you not to dance. Kool & The Gang were masters at giving us joy in stereo.

7. “And I’m Telling You I’m Not Going” – Jennifer Holliday
Let’s clear it up: This wasn’t Hudson—this was Holliday. And she took us to church, therapy, and back home again. Pure raw emotion. That last note alone? Legendary.

6. “Let It Whip” – Dazz Band
This was high-energy funk on steroids. “Let It Whip” was for the dancers, the DJs, and everybody who liked their soul with a splash of sweat. You couldn’t sit still if you tried.

5. “Do I Do” – Stevie Wonder
He’s back again because Stevie owned 1982. “Do I Do” was playful, jazzy, and ridiculously funky. That trumpet solo by Dizzy Gillespie? Chef’s kiss. The whole track was a celebration of sound.

4. “I Can’t Go For That (No Can Do)” – Daryl Hall & John Oates
Blue-eyed soul done right. The beat was slick, the lyrics were defiant, and Black folks claimed this one like it came from their own cousins. A groove that crossed all lines.

3. “Let’s Groove” – Earth, Wind & Fire
EWF brought cosmic funk to the dancefloor. “Let’s Groove” was a universal jam—parents liked it, kids liked it, even the teacher at school was tapping her foot. Pure euphoria in four minutes.

2. “Forget Me Nots” – Patrice Rushen
That bassline? Iconic. Patrice Rushen gave us elegance with bounce. This was R&B with polish—grown, sexy, and way ahead of its time. Still gets sampled and still feels fresh.

1. “Love Come Down” – Evelyn “Champagne” King
And here it is—the crown jewel. “Love Come Down” was smooth, sultry, and funky with a capital F. Evelyn’s voice was airy but commanding, and the production made you feel like you were walking into a lit-up club with fog on the floor and magic in the air. Timeless.


1982 was more than just a year—it was a vibe. These songs weren’t just hits; they were part of our lives. They played in the background of our most unforgettable moments. And the crazy thing? They still hit just as hard today.

So, let me know what you think about this list. How many of your favorites made this list? Drop it in the comments and tag a friend who enjoys topics like this!.

Let’s keep this love for music alive.